I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
Agnes and Polly, two 80-years old women, are lifetime friends who each have a summer home on Fellowship Point in Maine.
Agnes is a writer; Polly is married to Dick who is falling into dementia and soon dies of a stroke. Agnes wants to preserve Fellowship Point from investors which leads to a complicated plot with surprises.
I loved the bits about being 80 and the evolving roles of women.
Their unlikely and longtime friendship is a lovely thing and highlighted for me the importance of long-time relationships.
The masterful story of a lifelong friendship between two very different women with shared histories and buried secrets, tested in the twilight of their lives, set across the arc of the 20th century.
Celebrated children's book author Agnes Lee is determined to secure her legacy-to complete what she knows will be the final volume of her pseudonymously written Franklin Square novels; and even more consuming, to permanently protect the peninsula of majestic coast in Maine known as Fellowship Point. To donate the land to a trust, Agnes must convince shareholders to dissolve a generations-old partnership. And one of those shareholders…
Lucy and her ex, William, leave New York for a seaside house in Maine at the start of the pandemic.
Not much happens and a lot happens, which is Strout’s singular gift, to infuse the everyday with meaning. She touches on everything—slow dawning fears of the pandemic, missing her daughters, the murder of George Floyd and subsequent riots, the storming of the Capitol, her confusion about rekindling love with William.
I could relate to all of it, and I especially loved the reminder to embrace the life you’ve been given.
NEW YORK TIMES BESTSELLER • From Pulitzer Prize–winning author Elizabeth Strout comes a poignant, pitch-perfect novel about a divorced couple stuck together during lockdown—and the love, loss, despair, and hope that animate us even as the world seems to be falling apart.
“No novelist working today has Strout’s extraordinary capacity for radical empathy. . . . May droves of readers come to feel enlarged, comforted, and genuinely uplifted by Lucy’s story.”—The Boston Globe
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, Entertainment Weekly, San Francisco Chronicle, NPR, Time, The…
Three women in their 70s go to a beach house in Australia at Christmas to empty it out after a fourth friend has died:
Jude, a career waitress and restaurant manager, whose longtime lover is married; Adele, an actress who has been kicked out by her most recent lover; Wendy, a writer whose husband Lance died 17 years ago.
Then there’s Finn, Wendy’s ancient and decrepit dog. Wood is masterful at revealing their lives and inner lives in bits and pieces.
They irritate each other but are also bonded, which I found to be an accurate and lovely depiction of long-held friends.
People went on about death bringing friends together, but it wasn't true. The graveyard, the stony dirt - that's what it was like now . . . Despite the three women knowing each other better than their own siblings, Sylvie's death had opened up strange caverns of distance between them.
Four older women have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her?
They are Jude, a once-famous restaurateur, Wendy, an acclaimed public…
Lillian is an 84-years old woman walking around New York City on New Year’s Eve.
She loves the city, made her way there as a young woman in advertising in the 30s, became well-known as a poet of light verse. She alternately reminisces about her life and encounters people you would not expect.
She remembers her life in pieces, the way one does, so the reader puts together the mystery.
I found her to be a delightful and refreshing character. The book is a beautiful lacing of the past with the promise of unexpected things to come.
A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.
“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”
She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid…
The narrator of this story is a writer whose friend is dying of cancer.
The friend asks the narrator to accompany her through her final days, including the contemplation of suicide. The writer reluctantly agrees.
One unusual thing about this novel is that none of the characters have names; they’re referred to as the daughter, the ex, or the friend. This jarred me at first, but I grew used to it.
The narrator takes mental excursions about many topics, musing as a writer. While this sounds like a depressing set-up, I found this story to be a thoughtful and tender statement about connection.
The two women become surprisingly close while sharing this intimate part of life.
'I was totally overwhelmed by this extraordinary novel. A total joy - and laugh-out-loud funny' DEBORAH MOGGACH
The New York Times-bestselling, National Book Award-winning author of THE FRIEND brings her singular voice to a story about the meaning of life and death, and the value of companionship.
The woman at the heart of this extraordinary novel finds that everyone she meets has a common need: the urge to talk about themselves and to have an audience for their experiences. And so she tries to pay attention, to imagine and listen to what those around her are going through. But then…
Toby Jenkins, the oldest surviving member of her family, has opened a summer residence program in the Nebraska Sandhills for the wounded and broken, misfits and dreamers. Besides her guests—a minister on sabbatical and a woman recovering from cancer treatment—Toby is joined by Anita and Luis, her hired help; Anita’s brother Gabe; and someone Toby least expected, her nearly estranged daughter, Nola Jean. Mother-daughter tensions, age-old prejudices, and generational divides challenge the members of this disparate community as they bump up against each other.
Praise for Joern’s writing cites her compassion, wit, and wisdom. In her characteristic clear and evocative prose, Joern probes the complications of family relationships, identity, belonging, and the impact of long-held secrets.
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for her biological mother, she meets the adult Willem, and they fall in love. Pregnant and engaged, she moves into the family mansion, wanting nothing more than to create a loving family for her child. But the Veldkamps are cold and distant. And why is Louisa a taboo subject?
An expectant mother gets more than she bargained for when she marries into a seemingly perfect family in this gripping debut novel–a must read for fans of A. J. Finn and B. A. Paris.
After surviving a nightmarish childhood, Anneliese Bakker is on the mend and searching for her birth mother. But when she meets Willem, she falls madly in love and finally finds a safe place to land. Engaged and expecting her first child, she moves into the Veldkamp mansion on a stately, tree-lined avenue in Amsterdam. And yet, nothing about Willem’s family is as it seems. Instead of…
